on the possibilities of PERSONAL truth: as spun by the same gods that came to pessoa and knausgard

BY PUSHKAR SANYAL

'Narcissus' - Caravaggio c. 1597-1599


A story about generational love

 Imagine a pair of twin Gul mohar trees amid an urban sprawl.  At least a few generations older than their environment, their sordid frames would rest within the concrete. Public servants in the area would be glad of their presence. They would be legacy and must be protected.

An accidental window would look down upon the Gulmohars from the north-west. Its inhabitants, bespectacled and grey, would be unworried yet anxious about all the time in their lives. Their ability to come out of their shells depends on their children and their lives.

At the ages of thirty-three and thirty-five, they held a baby in their arms. Something to pour into. Like a lavender flower to pin onto her hair, or a pair of leather shoes for him to preserve.

It brought life to their existence, an aliveness of time, a concretization of love.

Love is latent in everybody. But some are lucky to be nourished by it. The day their child was born was a miracle

As their child grew, so did a responsible kind of love grow within them.

But their affection and attention as products of the ego wavered, and expressing them sparked and fused over time. The child sometimes remarked upon their moods, castigating at their selfishness. When there is an emotional awareness of an idea, all its contours and textures rush in like a crashing wave.

Only the deeply loved have the capacity to deeply love. It’s an adjacent idea to generational trauma in the sense that sometimes generational love is mistaken for its popular cousin.

Imagine the Gulmohurs fillip in pleasure on occasions when the breeze blows.

As if to remark to their child, “Ah, my little one, oh my sweet dear little one. Whose grace is upon me that I get to love and to care for you”

17.06.2026 – 9:25 PM

When I allow myself to rest in my daze, it seems that there is an uncontrollable urge to fall. To arrest this fall requires stability that has always been foreign to me. I have always had to rein in this stability.

I cannot forget her face. The tears streamed down helplessly.

What must one do to endure such unbearable emotion?

Knowing the truth is sad, yet one can’t help but be sad at the unknown too.

How must I proceed? With each passing moment, I carry the burden of one more moment. The weight will soon become unbearable.

The tenderness erupts only when I’m alone. With others, it emerges scathingly or sarcastically. I prefer the former, when I can cry and be myself.

Even in the sadness, I feel freer. Like unwrapped, uncoiled, like I can breathe in the air of this diabolical place away from my home, and grieve. Like Odysseus

20.06.2026 – 4:55 PM

Balmy sunshine rests on the leaves. In the foreground, a spider dangles, spinning a nest. The crows caw, and the sparrows chirp. Summer is ending, and a frozen winter within me will soon start to melt.

  1. In the hearts of men everywhere, can there erupt a wind that carries with it a new fragrance for this land. How I yearn and resist the dams to burst forth with the passion that I am ailed with.
  2. A life of simple, pristine, and benevolent measure is appealing. If I could concentrate on a vision and the thin horizon between the concrete and the spiritual, I could instill a vigor. My imagination cannot save me. There must be a critical path to the pain, and not a painful path to the spirit.
  3. What is the point of communication if not to commune. What is the point of myself if I cannot be me.
  4. Just like the bend in the river gave a new direction to fertility, a material pivot to the flow of time within me is possible. A form of this is writing. It yanks the currents to an undiscovered side.
  5. I want to hold, cherish, and pull apart the fabric of existence as it appears to me. Is this mastery or a desire to experiment? The social sciences would scoff at this irresponsibility.
  6. To the throes of the planet and beyond, to the banks of the river, and to the hills of the mountains, I wish to find the company of comrades in spirit and in love who participate in this venture. Who desire as I desire, who succumb to the pulse of the air as I do, and who plant their feet in my heart as I do in theirs.

 

27.06.2026 – 4:01 PM

Wherein lies exuberance also lies sanity.

Perhaps it’s physics. Does anybody know if a meteor travelling through space will ever land?

The characters in Cuaron’s – Y Tu Mama Tambien’ throw themselves into their immediate environment. It seems wise and not the folly of youth.

When I hear the essential silence in me, there is nothing. Shaping it is interesting. Like the bird that flies because it can, why can’t I throw like I must? At least I have a ready answer if a journalist asks why I threw in one of those Olympic sports.

Luisa from Cuaron’s film is an interesting character because she contradicts the idea that there is more chance of leading a damaging life if it is long. But what even is damaging?

If one were to read Walter De La Mere’s astounding poem ‘The Listeners’ in a certain light, a truth erupts. The traveler came and kept his word, yet no one answered the traveler’s call. A chilling indictment of reality and humanity.

What even is damaging when faced with a reality that shrinks to your command.

What even is damaging when faced with a reality that just occurs, failing to exercise any agency.

What even is damaging when there is no God.

Our mates at the Advaita Vedanta center champion the case of non-duality. Yet what use is a utility that is a tiny drop in the face of the reality monster. I suppose that’s what they mean by a reduced ego.

Understanding the expanse of the world and realizing your place in it comes with time.


12.07.2026 – 6:05 PM

 Windshield wiper 1

In a moment of lucidity, my sister tells me about Titanic and how I guffawed like a monkey as Rose shivered uncontrollably on the piece of wood holding her lover’s hand. The searing scene ended with her being able to muster the strength to blow the whistle for the rescuers. A good six years older than her, my emotionally stunted gaze on the highly dramatized but emotional crescendo of the film had shattered my baby sibling.

Windshield wiper 2

A sleepy mother and I were awake at 4:15 am. It was perhaps a muggy spring or autumn night, we had both decided that I would study seven of the thirteen chapters of the geography book on the morning of the test. Spread across the small wooden tables in the living room, I sat and lay intermittently on the sofa set, my being expanded outside of the dim and claustrophobic bedroom setup.

The sharpness of the morning, the anxiety of the minutes, and the ferocity of my learning were in collusion with the energy of a space that hosted guests, parties, and was a place of expanded leisure that the adolescent me thrived in. I remember the morning and the buzzing sensation of newness like yesterday.

Parts of me are unfurling with time. Time is a jester that lies within the pages of reading Knausgård. The man says that there is no shame in the truth of your life.

the ethics of CONSOLATION: extracts from the diary

BY PUSHKAR SANYAL

Still from Stalker by Andrei Tarkovsky

19.12.2025 – 10:45 PM

What makes us human is our deviances. It is often the case that the outwardly most kind person is anything but underneath; or the begrudgingly giving person is the most charitable. Not to be taken in by appearance nor exhibited behaviours requires an intelligent bent of mind, but understanding that this deviance is NOT deviance, but a trait of what makes us very human, is the exciting possibility this intelligence must shed light on.

To be truthful to ourselves and to others involves a set of behaviours that is manipulative because it is under the assumption that transparency is the norm. Moreover, it hegemonizes cognitive ability and one’s access to it under all conditions. Does this recognition imply that my suffering is abated? At times these convictions crumble.

There is a beyond to this – one that loves and grows. A one that is okay to be humbled by the more creative, the more intelligent, the more loving. The more…hmm. How does one deal with the less though? How do these hierarchies form, and how do I dissolve them?

 

27.12.25 – 10:29 PM

Maintenance: Funds, care, knowledge.

Ability: Talent, Discipline, Focus

Ideas: See, Read, Listen

Inventing oneself out of thin air is not just a mental shift. It is real and is out there. It’s not waiting to be found nor something that is bound to happen. It in fact may never.

Watching a tiger walk around on a safari is a good way of understanding why it may never.

 

06.01.26 – 11:03 PM

In standard six or thereabout, each of us had to write a series of quiz questions on a large chart paper and post it up on a poster board in school. I remember enjoying the process of trying to answer questions put up by others.

Kofi Annan, I write as the correct answer to the ‘Who is the current UN Secretary General’ question. I write down more answers, some half-convinced, some wild guesses. I thought I had done well. A few days later, during library class, I was not among the top three.

Pushkar Sanyal, my name rang out as the consolation prize winner.

Consolation Prize.

There is a lot of philosophy in this story.

Over time, of course, I have gotten better at the signs. I remember someone, and I see their message. I wait for a sign, and someone smiles at me bewitchingly.

Staying in the game is a response to one’s own intellect. Or is it an excuse to drift? …to let time do its own bidding on me? I fear that if I attend to everything, I will combust into a million speckles of tears and laughter.

Sanity is the consolation prize

 

16.01.2026 – 12:30 AM

O Mother, in you I see all women. Your image smokes up like incense at the slightest crack in my heart. You have taught me not to care about being useful, and not to care about having a heart broken. And you will deny both.

It does appear to me that I have now gone to the edges. In football manager, the spikes would represent the attributes. Longer the spokes the better the attributes of a player. Honesty, sensitivity, rationality, Machiavellianism – I imagine all and more to have large spokes for me. I writhe in the edges like a worm.

Flowers, flowers, keys of the piano.

 

18.01.2026 – 2:41 PM

The sunlight on the back of my neck rests. It kills the idea of me.

I finally understand the protagonist of Paris, Texas, and the premise of his recognition. It was the constant sun on the back of his neck.

There is another film, Meghe Dhaka Tara which points to the same truth. It ends, and Paris Texas continues.

Love, Heartbreak, Insanity, Time, Time, Time, Life. There is no death.

 

30.01.2026 – 11:29 AM

I walk the streets of our cities. Apathy is evident everywhere. I don’t have a problem with it.

It is walking with my people, the streets and lanes that have held many a foot, the historical and social forces of resistance, struggle, and existence that envelop my mind and move my feet. Yet soon this energy loses steam, and my intelligence gives way to a familiar comfort. And money becomes the pariah in my situation. I understand this as much as anyone else.

The ethics in this elude me. Do my Brahminical roots have to do with this ebb and flow of energy? Upper caste corporate employed women cough and snigger at any suggestion of walking the streets. They have put themselves in a position where they never have to, just like the fantasy for the rest of the country.

What are my privileges, and why isn’t there a way to avoid exerting them? I’m afraid that we will forget the old codes.   

 

 

13.02.2026 – 10:21 AM

The large tree outside my window is bare. Sometimes it depicts the state of my soul.

The tension between avoiding immersion and apathy is real. It gnaws at my skin. I’m in water, and I refuse to drown, taking large gulps of breath as my head bobbles above the surface.

Should I have read those Hemingway stories? Yuval Harari said the only thing I can control is the present moment and my mind. The consequence: a scholarly life, the production of thoughts.

There is a guy at work who wears the same shirt every day. I have not dared to ask him if it’s the same shirt lest he get offended. What does he believe in, if anything at all? Identity is intertwined with belief. I suppose I’m delusional to think that we accept people into our lives based on this rather than if we could just have ‘fun’ together.

 

22.02.26 – 7:11 PM

My originality is in my processing. It’s biological, structural, and architectural; a tectonic system. I’m a cyborg.

My style is my aesthetics. A zone of interests, ideas, opinions, judgments, and expressions that have emanated and constantly shift based on my environment and my consumption. It’s what I identify in others as well. Style: something built from within but with effortless ease. A mix of self-investment, exercise of agency, and a will that exerts to the outside, the formation of a personal aesthetic.

I like to watch plays because I enjoy set-pieces. Bodies that move, and voices that bellow. It is storytelling, dance, and catharsis.

 

 

 

on response, the perils of knowing, and observation: extracts from the diary

BY PUSHKAR SANYAL

Still from Stalker by Andrei Tarkovsky

28.09.2025

I am in a coffee shop. The air quakes with the rumble of voices. I finally hear the group that has been speaking only to each other. Otherwise, it had been the proclaimers. I am being mean, perhaps it’s the timber of these voices. Some just peak more than others.

‘The unlimited sway of causality in the It-world, which is of fundamental importance for the scientific ordering of nature, is not felt to be oppressive by the man who is not confined to the It-world but free to step out of it again and again into the world of relation. Here, I and You confront each other freely in a reciprocity that is not involved in or tainted by any causality; here, man finds guaranteed the freedom of his being and of being. Only those who know the relation and who know of the presence of the You have the capacity of decision. Whoever makes a decision is free because he has stepped before the countenance.’

  • Martin Buber, I and Thou

Response is a meta-spatial activity. It is the spark that lights some people. A force through which community emerges. And community then enters each individual, dribbling to the inner contours of their hearts. Living through this force is a joyous fuck you to the opposite nothingness. A life of response is the only response, and much more.   

 

04.10.2025 – 8:18 AM

Things repeat, but times do not. The morning sun beats down on the building opposite – I wonder if the birds that crow in the morning distinguish the days.

What are high vibrations other than a high dopamine baseline? Regulate your neuromodulators, and the world discloses its warmth, mysteries, connections, unity, and filth. Should I package my feelings inside a chicken puff and sell them? Others appear to do so.

People who refuse to narrate are mysterious and challenging. I suppose the world is more valuable because they exist.

‘I said I wondered how he could fail to see the relationship between disillusionment and knowledge in what he had told me. If he could only love what he did not know and be loved in return on that same basis, then knowledge became an inexorable disenchantment, for which the only cure was to fall in love with something new.’

  • Rachel Cusk, Outline

Forward neck syndrome is such a turn-off.

 

04.10.2025 – 9:11 AM

‘They all treat me
Like a dog
Like I’m just another
Cog
But they can all
Suck my cock
Shit, I’m dreaming (I’m dreaming)
Again’

  • Peter Cat Recording Co., ‘Shit I’m Dreaming’ – Bismillah (2019)

Nietzsche says rage and spontaneous will are internalized to produce the sphere of the ‘soul’ as well as a sphere of morality. Turn to your nearest painting and find this inversion.

A mind of chaos seeks to find justice, while a mind of calm knows there is none.

 

23.10.2025 – 5:26 PM

In ‘Stalker’, an Andrei Tarkovsky film, there is an area called the zone that grants your innermost secret desire. The path to the zone is treacherous and requires sacrifice. One of the characters narrates a story about a man and his brother. Their journey to the zone was difficult, and the sacrifice required his brother to die. The man calculated that the zone would grant his brother back. But it did not.

It did, however, help him win the lottery once he was back in the real world. Within six days of winning the lottery, he hung himself.

Judith Butler in ‘Giving an Account of Oneself’ suggests an ethical caution that counsels that one cannot prepare one’s own death at the expense of the other without the other’s death implicating me in my own. There is, as it were, a sociality based on the “I” and its finitude from which one cannot – and ought not to-escape.’

 

24.10.2025 – 8:28 PM

Foucault suggests that norms exert hegemony over self-knowledge. Almost as if they emerge from there. My recurring dreams reveal the same emotions. I hide, I save myself from getting caught in an illegal or illicit event.

Half a decade ago, there was an endeavor to create an inner poetic mood, to be able to string together suppressed emotions and cultivate a flow of disconnected images that would magically make symbolic sense on paper.

Do these images have any value? I suppose if I were a simpler man, I’d say yes

 

30.11.2025 – 5:03 PM

Precision and conviction are opposites. One who reaches the edge is bound to experience the opposite. There are no crystals here.

Driving past a sedan with boxed-in taillights, the windows are rolled down, and a surly, troubled-looking man is behind the wheel. The windshield is smashed on the left side. Earlier this month, there was International Men’s Day. I speed past the surly man and find other sad men in the cockpit of their run-down vehicles, each with beaten faces.

Once I requested a driver to slow down at turns. There was an issue with the front wheel chassis that was compromising the physics at the back. Undeterred by the request, he drove on as usual to my mild panic, and it was only when I humoured him with an earthquake remark that he responded, laughing heartily and proceeding to drive with caution thereafter.

Philosophy for passengers.

 

06.12.2025 – 7:30 PM

 A favourite pastime of mine on public transport is spying on people’s phones. Not because I need a giggle, it’s often just to satiate curiosity on how people scroll and stream. Yesterday, I caught a young man using the swipe keyboard to add ‘High on You’ to a new playlist. He swipes from C, criss-crossing to four other letters. The screen says Cute. He deletes and does the swipe keyboard thingy again. This time, it says Coffee. He deletes again, this time swiping with more precision.

Core.

There is a moment of reflection. This is a song that spoke directly to him, and he hopes there will be more.

Some things die a quick death; others simmer for a long time.

 

Bibliography

  1.  I and Thou – Martin Buber (1923)
  2. Outline – Rachel Cusk (2014)
  3. Bismillah – Peter Cat Recording Co (2019)
  4. Stalker  -Andrei Tarkovsky (1979)
  5. Giving an Account of Oneself – Judith Butler (2005)
  6. Foucault Live, Collected Interviews 1961-1984 – Michel Foucault (1989)